THE GIRL HE NEVER NOTICED

Japanese reviews were originally posted on Comic C’moA. Some reviews may contain spoilers for unreleased content or topics unrelated to MangaPlaza services.

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  Posted by Readers in Japan

  Mar 14, 2020 (PST) | Translate to English
  仕事中毒と、氷の女王が、共に子煩悩でよい
  It's OK for workaholics and the Ice Queen to both worry about children
  いい親になれる人は信用出来る。七星先生の男性は私の眼には、素敵なときと、そう思えないときとあって、本作は眼を停めてしまうコマが複数あった。18頁や、90頁以降の幾つかなど。また、遠目の顔も私的にほっとする顔だった。彼の先走った話についていけずにお断りを何度も入れているヒロインだが、現実そんなに待たせて、それでも、またアプローチかけてくる人は、そんなにいるものではないと思う。それとも、オーストラリアでは、怯まずそこまで口説きを熱心にするんだろうか？ どう考えても、ヒロインは待ったを、掛けすぎのように思えたが。ご都合展開のクライマックスだが、買収を繰り返して大きくなる会社と、これまで示されてきた彼のビジネス手法の性格と、これら総括したように一本背骨通して締め括ったので、まとまりがいい。ヒロインのママは少し離れてしまったが、車社会だから気にしないのだろうか？デシマイト嫌と言うスカウトちゃんは序盤から微笑ましく登場で親近感ひとしおだが、中途から登場のアーチーくんは、ストーリーの造りが、実は彼にもー、とするため、寂しさや、可愛らしさを発揮するシーンが心なしか印象薄い。大人の都合優先のストーリーには感じてしまう。オンオフ的に二つの顔の使い分けそのものは、程度の差こそあれ誰しも持つ。ただとりわけヒロインは公私の大きい落差があった。過去の手痛い失敗がそうさせた。彼女の家での顔を見てグッと近しくボスが感じたのは、彼女の別の面の発見もあったかもしれないが、自分の家庭観やスタイルにも近しさを覚えたから、とも言えるかもしれない。ボスにも家では会社とは異なる顔があった。94頁、「過去の裏切りを」の言葉は、内容からいって、吹き出しの二つ繋がりの前半に配置すべきではないのか？

  People who can be good parents can be trusted. There were multiple frames in my eyes that made me stop looking at the man from Nanasei-sensei, because there were wonderful times and times when I didn't think so. Page 18, some after page 90, etc. Also, the face of the distance made me feel personally relieved. The heroine has been turned down over and over again because she couldn't keep up with his earlier story, but in reality, I don't think there are that many people who make them wait that long and then approach him again. Or maybe in Australia, they don't get scared and are they so eager to persuade them? No matter how I thought about it, it seemed like the heroine had waited too long. It's the climax of convenient development, but the company that has grown through repeated acquisitions and the nature of his business methods that have been shown so far have been summed up, so the cohesion is good. The heroine's mom has moved away for a bit, but since it's a car society, she probably doesn't care? Scout, who says he doesn't like Desimite, appears with a smile from the beginning and has a great sense of closeness, but Archie, who appears in the middle, is unimpressed, and the scenes that demonstrate loneliness and cuteness are heartless because the story structure is actually for him. It feels like a story that prioritizes convenience for adults. Everyone has the proper use of the two faces in terms of on and off, to varying degrees. However, the heroine in particular had a big gap between public and private. Painful mistakes in the past made me do that. The reason I saw her face at home and felt so close to the boss may have discovered another side of her, but it could also be said that it was because I felt close to my own family view and style. The boss also had a different face at home than at work. On page 94, shouldn't the phrase “betrayal of the past” be placed in the first half of the connection between the two speech bubbles in terms of content?

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• 

  Posted by Readers in Japan

  Nov 05, 2018 (PST) | Translate to English
  ?
  ?
  過去の恋愛がトラウマとなり彼女を氷の女王にしてしまった。そんな彼女は子供といる時だけが本当の姿になる。その彼女の素顔にヒーローは次第に惹かれて…ハッピーエンドで心温まるお話でした。

  A past love affair traumatized her and turned her into the Ice Queen. She only becomes real when she is with children. The hero was gradually drawn to her real face... it was a heartwarming story with a happy ending.

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• 

  Posted by Readers in Japan

  Nov 04, 2018 (PST) | Translate to English
  よかった
  That was great
  過去の傷によって氷の秘書として身を守るヒロイン。登場人物みんなが幸せになれてよかった。

  A heroine who protects herself as Ice's secretary due to her past wounds. I'm glad all the characters are happy.

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