Reviews for DISTRACTED BY HER VIRTUE Manga

Happiness, Sadness, and Suffering, and the various stories will eventually have a happy ending, so you can have a happy moment while reading them.

The feelings of the two people that flow through the story are mainly presented, and their awareness of romantic feelings and how they hit a wall and overcome them are clearly depicted, showing a tight cohesion. The obstacle presented in the first half of the story is also a litmus test for the two in the process of being solved in the second half. This solution is not an HQ type Kintaro candy where the heroine receives (as a result) the other person's sincerity as a proposal, and actions (meaning that they go towards the self they intend to be) are shown in line with the heroine of this story, and it has a strong presence in the story's progression. Also, the first step is ingenious at moving him indirectly. However, I had the impression that the kiss from the heroine suddenly wasn't there, no matter how much agitation, confusion, and relief from fear there was. On an uneasy night frightened by nightmares, in a dreaming situation, the depiction of a sudden visitor in the middle of the night and the heroine who felt a sense of security in him runs into a kiss is incongruous as an extension of the heroine's character and the trend up until now. I know until they hug them, but until then, the act of kissing hasn't been fully shown. Finally, a few words about painting. It seems that only bad reviews have gathered for portraits that separate likes and dislikes, but I don't dislike them. There is some lack of smoothness and roughness in this work, probably because I've seen many of Sagara sensei's other, more mature touches than this one, but that doesn't affect the number of stars that much for me. The angle and cutting method are OK, so I don't understand the point that is often viewed as a problem with lips, but it dub into the scene where Ninako, the main character of “Strobe Edge” by Sakisaka Io sensei, appeared. At that time, I felt a strong sense of rejection from the character Ninako, saying that she doesn't have those lips. It is highly rated. The impression of the work is determined by whether or not you have a favorable impression of the portrait. It's probably the fate of comics. So, I understand, I don't seem to feel any rejection on the lips drawn by this teacher. As a style, it is imprinted like the default value. His looks are fine with me too. While the teacher was in charge of HQ, I was wondering if it was an early drawing. I wonder if the jawline is a jaw with underdeveloped back teeth, like people who didn't chew things well during meals. The way the frame is shown is in the usual sensei style, and it's like Sagara-sensei is in the world where you can read it while feeling the hidden visibility of the style in a nutshell, even though it's not a carefully examined line. At first, Aso sensei and Ogimaru sensei, who have no sense of resistance at all, were drawn to the individuality of paintings. I think I made a strange discovery, wondering if it's a double-edged comicalization,

If you wonder why the reviews are so low, it's drawing power... It certainly had quite an impact when I first read it, and I was curious, but since it was a wonderful story, I personally wasn't really interested in the second half. Should I say others... the opposite sex? The sense of anxiety was heightened by that, and in the scene of our first encounter, I thought what a rude woman she was, but at the end, I'm glad that they were supported and understood that by trusting each other, a new path can be paved.