Reviews for SATURDAY'S CHILD Manga

The heroine was an adult for her age, so it's a love that somehow came together, but it was strained because the hero was stubborn and clumsy.

Hey, hey, the teacher's attitude had too many ups and downs and was too selfish. I understood the reason at the end, but it was a pity that the heroine was swayed too much. Well, he's a man who's too clumsy, so be kind to the heroine from now on.

The hero Waikelen ← there is also a degree of unfriendliness 〰〰 What bothered me was Waikelen's unfriendliness... was it pleasant to read without the villains appearing?

Kishida sensei's paintings are so beautiful and I like them, and if it were a Betty Neals work, it would be the best if the heroine was too friendly and too dull, but I'm glad that it was cute and cute, the dress the heroine wore was also cute and wonderful

Even if there was a case with my late wife, even if it was because she was much older than her, I summoned him from England to Spain, and then the Netherlands from there. Besides, I forgot my salary. No matter how stubborn she gets. These are wonderful nurse uniforms, and the buildings and flowers are beautiful!

The heroine was swayed a lot, and he moved everything. Her mind was controlled. As the person in question said, it just went back and forth between heaven and earth. When you like someone, it's the same for everyone and everywhere to be dismayed by their words and actions. However, even though English is easy to understand, it was a foreign country for the heroine. Even considering the special relationship between England and the Netherlands, this original author teacher always has this combination, and they are all Dutch doctors who have no place in their hearts to grasp. Even though HQ is a genre that seems to be all similar when viewed from the outside, the fact that they are even more similar makes me think of how stubborn they are. I thought there were many things (almost all) by the same author until now that the same author sensei didn't make his inner feelings clear, even if the movements of her heart were scooped up and depicted well, but this work shows his side of mind early on. It's like a stone that convinces readers that he himself is hanging in the air that he hasn't been able to organize himself. The relationship between Bolly and the heroine, and the combination of being used and used between the young heroine and a pretty good old man, feels like a story that ignores modernity, and adds an interesting, or rather, strange flavor. Kishida sensei's paintings aren't childish, so it's great to be able to receive an air of belief in the story world you're reading. There's nothing that doesn't make him look Dutch. A man who wasn't clear, finally conveys it, and I think it's a work that anyone who can enjoy being intoxicated by how straightforward men have become, in a one-pattern framework that is all there is. I honestly haven't felt that much sympathy for this combination until now, from my experience of running into the fact that there are relatively few people who don't like Japanese people in both the UK and the Netherlands, and I've honestly never felt that much sympathy for this combination until now. Even now, he still has something cold, but it's a kind of repentance (maybe an exaggeration) for the treatment that the heroine has taken as being mean in the confessions he confided in this story. There was an expression of emotion associated with that act), and I was moved a little bit by the fact that the coldness I myself had felt within them might not have been the only one. The beginning of Kishida sensei's drawing was black, and before I got used to it, I lost that method. His lack of expression was useful, and the others were unknown feelings he wanted to get at first. The dance scenes are also arranged with HQ specifications. There are a lot of heroines with very little Parisian, so understanding so much is sometimes bothersome.