Reviews for Descending Stories Manga

I like pictures. I wasn't interested in rakugo, but reading this comic made me want to go see it. Storytellers are cool.

Originally, I liked rakugo, and I often watched CDs and DVDs, so I read them with interest. There's only one volume left, but I'm worried about the continuation, and I think I'll buy it.

My mentor, Yakumo's sex appeal is wonderful. The work as a whole also has sex appeal, or rather elegance, and it feels like a literary work. The characters were all charming, and I was drawn in. I understand very well that the number of people who are addicted to rakugo increased due to the influence of this work!

I didn't like it until I saw the title and read it because it seemed a bit difficult. But I thought I'd read it by referring to other people's reviews. This was a hit! I don't understand rakugo at all, but I enjoyed reading it.

I'm really interested in human relationships centered around rakugo. Also, I wanted to go see rakugo. It was really interesting.

If you only look at the cover and pictures, it seems difficult, but when you read it, it incorporates rakugo well and you can read it smoothly without any trouble. The content is also well-made and makes me want to read more

I like the atmosphere of Kumota-sensei's paintings and comics. Even if I don't know much about rakugo, I'm drawn in more and more, and finally I want to watch rakugo...! The pasts of all the characters are sad and it makes my heart ache.

I don't dislike rakugo, and the cover is beautiful, so I was curious, but it wasn't easy to get my hands on this work. It was really nice when I read it.

I've read works of various genres until now, but for me it was the most interesting one. I thought the story was well-written from any point of view, rakugo or human drama.

a hard story? It's easy to think, but it makes me laugh and it makes me feel relieved. I don't know the actual situation, but you can also get a little knowledge about the other side of the rakugo world. I bought it in a comic.

I bought it while wondering how about rakugo, but I was right when I bought it! There are things I don't know at all, and there are pages with explanations, the story is easy to get into, and if the illustrations are cute, they have cool expressions, so I think my tastes are somewhat different, but I bought the entire volume because of Hama.

I've only read one volume yet, but it's a story about a rakugo world with a good tempo, strong character, and completely different characters. It seems like they've also been doing videos and animations until now. Recently, musicals are also a hot topic. I wanted to know about it sooner and watch TV dramas too. I can't help but wonder what the future holds. When I collected information on SNS, it felt like the last one was mysterious ❓. Since it's volume one, it's still just the beginning, but I'm excited to see what kind of developments will take place in the future and how the lives of the main characters will be depicted. Kumota-sensei's descriptions are so wonderful and I'm looking forward to reading them.

There was a rakugo storyteller who was alone and tried to destroy it with all his heart. Yotaro holds back without hesitation. It easily surpassed obsessions and barriers, etc., and opened up new horizons rather than preventing decline. In the story of Neta (Neta) “Shinigami,” rakugo storytellers will perform in a demonic manner. Also, drawing a scene unfolding in front of them, I feel like Kumota sensei would express and show the state (including the dead earth) that those who have reached that point will step into in this way. The root of “Shinigami” is used many times as a motif. The momentum of everyday conversation in the Edo dialect and the rhythm of the story are good. The Kyoto language comes in and an interesting atmosphere creeps in, and the power of characters is greater than pictures, and along with the appeal of storytelling, I am surprisingly drawn in by the dynamism of the lines uttered by the characters. It has a live feel. The neck is black and hard to see. Just like Kikuhiko's apprenticeship, there were times when parents put their children in temples, and I also remembered the stories of monks and thought back to the early Showa era. The birthplace “Yosecha” of Hatsutaro (Sukeroku) feels like the sense of the times went out of order all at once, but it can't be helped if it's to make him play with Yotaro. A story where you can imagine the atmosphere of a difficult period of classical performing arts during the war, after the war, and after the war. (The anime is so, so well made. Full of Showa feeling.) I've heard that Noh music, which I've learned, followed a similar course after the war. Since the vaudeville guide is also attached at the end of the book (the logical Eisuke Sensei also calmly explains rakugo during the main story), I occasionally went to Nihonbashi-tei with my colleagues on my way home from work, and even if it was short, I remembered that I enjoyed things like kodan, magic, etc. in the past, and I wanted to go to the entertainment hall again. Every time I passed by Ueno Hirokoji or Shinjuku, etc., I was interested but I couldn't get in alone, but this work gave me courage. It's nice that Sukeroku's unbridled character of the famous site “Yakumo” is replaced, as is often the case in stories in the field of expression, where “genius skin” and “hard work type”, and “following tradition”, is a dramatic development where the protagonist of the famous site “Yakumo” is replaced. I can't help but look at it as a clean mess that ends after going through a difficult period of survival and entering a good era again, but to be honest, everyone talks about an industry with too few familiar faces, and as a result, they brought too many close ties to the end (until now) in terms of mobilizing blood relationships, so I have the impression that it's impossible. Chinatsu has always had an abrupt role, and there is a sense of incongruity here and there. In particular, I felt aggressive, including the changes in the relationship with Yakumo and the part where there was a sense of backwardness.

I reread it from mid-October 2022 in the wake of an obituary, but not limited to performing arts, it's fun to watch how the protagonists work hard and express themselves and grow, but at the same time, things that must not be changed in order to protect and convey what common purpose is conflicts and differences caused by differences in opinions and positions even if there isn't much difference, and misunderstandings caused by them, and detours that might not have been possible without them I'm currently bittersweet and sad because I've overcome it

I thought it would be bad if it was a messy story, but I was relieved that the main character was so playful and peaceful.

I originally liked rakugo and started reading it, but I think it's a work where even people who weren't interested in rakugo can see rakugo in a new way today. It's the same as rakugo, and it would be cool to just enjoy it without thinking about anything.

I wasn't interested in rakugo, but the characters are very charming and unique, and I really enjoy reading them. The tempo of the story is so good that it's easy to read.

From the beginning, I liked Mr. Yakumo, who has a sling eye. I learned about it from the drama, and I was so attracted to it that I was really surprised that it was an original manga. Both dramas and comics have a good taste ❗

There aren't many rakugo comics, and it's interesting. The story itself is also interesting and makes me read it.