Reviews for WHO'S THE BOSS? Manga

I never thought I'd be able to see new releases, so I'm happy. As always, the way women draw lines on their bodies and express their feelings is wonderful. Ogura Fuyumi has a unique view of the world, and watching it calms my mind.

It's plain, but that doesn't mean it's unreadable, and there's no sense of dissatisfaction. It's a strange work.

A unique line that makes you feel that the outline is thin. The style of painting is hard for me to stick with, but that one-stroke style of expression shapes the world of this story, and I can enjoy it if I get inside. Silicon Valley style (?) Companies are probably workplaces where people don't wear suits, so not being able to draw frames showing black or gray on clothes also fits the style of painting. The picture, which is too white and has an impression of a quick finish, is an HQ work that usually feels heavy or lacking, and conversely, when I look at it positively in this work, it is impossible to say that it is strange, and I feel that it is worn in an interesting position that makes use of the style. The white balance between the white background of the character part left by thin lines and the white margin of the background of each frame is consistent, and the sense of incongruity disappears as you get used to reading. Stories are an occasional pattern in HQ. Men who are expected to have talent, got out of the street and are successful in society, are unable to fully face love due to their upbringing, etc. There, the setting is that the heroine appears right in front of her eyes and is attracted to her charm. His science-like male body (tei) without feeling hot matches Ogura sensei's simple style of painting. Big head style (?) The style also seems to confirm the small faced boy's dexterity when it comes to love. I wonder if HQ “I Can't Say That One Word” (Takada Yuko/Day La Claire) is similar, and I feel like reading and comparing them. It points out the foolishness of judging people by their appearance, but I felt that the story that made the heroine say “don't make a fool of me” over and over again seemed to make readers misunderstand the heroine's character. I also hear that the iconic appearance, which used to be an image of being weak, has already taken a big turn. People who have studied abroad at an American MBA said that it is an age where American women with a high intellectual level all look and look like “Barbie dolls,” yet are excellent. The story, which unfolds as expected even though I understand what you want to say..., is too aggressive towards orthodoxy, and the uniqueness of the pattern saves that area. It's a safe and not bad Japanese title, but the original title symbolizes the flow of the story, and it works even without love, so I prefer the sense of the original title. When it comes to romance, I don't look at the heroine too much. A final apology and confession does not clear up the reader's mood. However, in response to his holding serif “Please Wait, Please,” the heroine Caitlin's return “What are you waiting for?” That was great.

The feeling of plump skin and the few but impressive lines are very nice.

While thinking about the introduction of the work and the time when you read it standing up... Was Caitlin really that cute? A troubled person at first glance? However, in reality, he has an unusual appeal... There's a good balance between Joe being in love, and the feeling of frustration is good. The pictures were also gentle and the mood was perfect for the story.

There is only one family, the father passed away and there is no inheritance, and if you go to the person who wrote it, you can get a job. The heroine is curious about how she has lived until now. From the point of view of clothes, there is no point in thinking that they were playing around. We can only see each other, so why

I can't believe HQ was drawn. I read it with nostalgia and joy. You wouldn't look like that when you go to work! I agree with the hero. The naive heroine was drawn so well that I was a little annoyed (laughs) Anyway, I like the girls drawn by Mr. Ogura. I love body lines and costumes, so ☆ is almost for Fuyumi Ogura! ❤

I think Dad was worried about the heroine who would be alone without knowing the harshness of the world. Also, heroes who don't love people. That was a good story.

I loved Fuyumi Ogura when she used to be active in Bonde. I still have the pouch from the appendix. The atmosphere of the picture has changed quite a bit since those days, but as expected, the flow and lines of the story were smooth by the talented manga artist. There was almost no background, and I drew it with only simple lines, but I was able to read it without any sense of incongruity. I fell in love with Megane-kun.

I used to read it a lot! It was full of nostalgia, but I'm glad that HQ also had a slightly different atmosphere. The story had a good heroine who works hard, and the last one was also good