SAWYER

Japanese reviews were originally posted on Comic C’moA. Some reviews may contain spoilers for unreleased content or topics unrelated to MangaPlaza services.

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  Posted by Readers in Japan

  Sep 03, 2020 (PST) | Translate to English
  素敵な恋。
  wonderful love.
  イケメンのオンパレードだったんで、眼福でした。内容は そこまで凝ってなく わかりやすい内容なんですけど、それは それで 息抜き出来て良かったです。

  It was an onparade of good-looking guys, so it was a blessing. The content isn't that elaborate and is easy to understand, but I'm glad I was able to take a break with that.

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• 

  Posted by Readers in Japan

  Oct 11, 2015 (PST) | Translate to English
  バックホーンブラザーズシリーズ
  Buckhorn Brothers
  This review contains spoilers. バックホーンブラザーズシリーズ。サスペンス要素もありますがヒロインに一目惚れして我を忘れるヒーローがツボ。バックホーンブラザーズシリーズは全部同じ方にコミカライズして欲しかった！

  This review contains spoilers. Buckhorn Brothers series. There are also suspense elements, but the hero falls in love with the heroine at first sight and forgets himself. I wanted all of the Buckhorn Brothers series to be comicalized in the same direction!

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• 

  Posted by Readers in Japan

  Aug 30, 2020 (PST) | Translate to English
  訳あり女性を助けてからずっと気になって
  There's a reason I've been curious ever since I helped women
  バックホーン4兄弟の長男ソーヤー編。JET先生が次男のモーガン保安官、三男獣医師ジョーダンを、おおにし先生がプレイボーイの四男ゲイブを担当。ソーヤーが守りたくなる「 無防備」な女性は、日高先生が魅力的に描かれた。ただ、ところどころラフになっているようには見えた。さすがにここぞという顔のアップは丁寧とはいえ。また、人物だけのコマで構成された頁が幾つか目立っていると思う。兄弟数多いから無理もないとも思えるが、それでももっと背景が欲しかった感じは残る。景色や家の外の頁もあるのだが分断感。男性ばかりの家に泊まることになる、しかも彼らは日頃女性を意識していない暮らしなものだから、無駄に広い家に、シャワー等個々で自由に暮らしていたこと、いつも裸で寝ていること、などなどセクシーなシチュエーションを置いて、コミック故にビジュアル面で読者に働きかける。ストーリーはそんななかで信頼に足る人柄の四兄弟を理解させ、長男の好意が、わきまえつつも弟たちはもとよりヒロインにも隠せない感情であり、二人の関係を発展的に進行する期待をずっと匂わせる。36頁は善良に見えにくいコマではあるが。話は関係発展にウェイトがかかり、ヒロインが怯える影のサスペンスでストーリーを引き締めるも、ヒロインは守られている安心感がある。そこに安住させない、彼の身をかばう展開が私には無理な感じはしたのだが。気持ちは大いに分かる。そういう場面お話にはよくある。でも実際間に入れなくないか？日高先生の描かれた弟たちでシリーズの他の3作品を見るのも、確かに面白かったかもしれない。ただ、私は間隔を空けて読んだ為か、もう既に、JET先生の、おおにし先生の、でそれぞれそういうキャラで受け止めて抵抗感を持つひまなかった。婚約者が姿を見せず、実行犯のみ、そしてハッキリ顔なども対決シーンすら描かれないことは、この物語のメインはそこじゃない、という意味で取捨選択の結果で焦点がハッキリ。姿を見せない、中盤までヒロインに向かってくる敵の不気味さが、折角効いていたのに、少し拍子抜けはした。最後のやり取り、俺を愛してるか？に対する ヒロインの受け答え、「華奢で」だからこそ守らねば、の彼女像を裏切り、長男を操縦するかのようで(足を踏む匂わせシーンも有)、強さがある。男所帯の中の花一輪、ふさわしいのかもしれないと思わせた。冷房をーー、には笑った。

  Edited by Sawyer, the eldest son of the 4 Buckhorn Brothers. JET sensei is in charge of the second son, Sheriff Morgan, and the third son, Veterinarian Jordan, and Onishi sensei is in charge of Playboy's fourth son Gabe. Hidaka-sensei depicted the “defenseless” woman Sawyer would like to protect in an appealing way. However, it seemed to be rough in places. As expected, the cozy face up is polite, albeit. Also, I think some pages composed of frames with only people stand out. There are many siblings, so I don't think it's unreasonable, but even so, the feeling that I wanted more background remains. There are also views and pages outside the house, but there is a sense of division. They stay in houses with only men, and since they live without being aware of women on a daily basis, they place sexy situations such as living freely individually in a shower, etc., and always sleeping naked, etc., in an uselessly large house, and since it is a comic, they work with readers on the visual side. The story makes me understand the four brothers who have reliable personalities under such circumstances, and the eldest son's kindness is an emotion that cannot be hidden from the younger brothers, or even though they are aware, the heroine cannot hide, and it always makes me smell the expectation that the relationship between the two progresses progressively. Page 36 is a frame that is hard to look good, though. The story puts weight on relationship development, and even though the story is tightened by the suspense of shadows that frighten the heroine, there is a sense of security that the heroine is being protected. I felt that it was impossible for me to have a development that would protect him and not make him feel at ease. I understand the feeling very well. Scenes like that are common in stories. But can't we actually get in between? It certainly might have been interesting to watch the other 3 works in the series with Hidaka-sensei's Little Brothers. However, probably because I read it at intervals, I had no time to accept JET sensei's and Onishi-sensei's each as such a character and had a sense of resistance. The fact that the fiancee doesn't show up, only the criminal, and not even a confrontation scene is depicted with a clear face means that the main part of this story isn't there, so the focus is clear due to the results of sifting through. The creepiness of the enemy, who didn't show up and came to the heroine until midfield, was quite effective, but I was a little out of touch. Last conversation, do you love me? The heroine's response to this, betrayed the image of a girlfriend who must be protected because she is “delicate,” and is as if she pilots the eldest son (there is also a scene where she smells like stepping on her foot), and is strong. It made me think that a flower in a man's belt might be appropriate. I laughed at the air conditioner...

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