Capelli's Captive Virgin

Japanese reviews were originally posted on Comic C’moA. Some reviews may contain spoilers for unreleased content or topics unrelated to MangaPlaza services.

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  Posted by Readers in Japan

  Sep 03, 2024 (PST) | Translate to English
  それぞれの
  Of each
  この主人公二人の、またその弟妹のトラウマとなっているのは、両親たち。特にヒロインの親達ときたら、家事と育児を姉娘（7歳の！）に任せっきりで。二人がそのすきまを埋めるようにしてきた仕事もそのかたちを変えてゆくことでしょう

  The parents are traumatized by these two main characters, and their brother and sister. Especially when it comes to the heroine's parents, housework and childcare are older sisters and daughters (7 years old!) Leave it up to me. The work that the two have been trying to fill in that gap will also change its shape

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• 

  Posted by Readers in Japan

  Nov 03, 2020 (PST) | Translate to English
  ヒーローの思い込み
  Hero's Assumptions
  This review contains spoilers. ヒーローの女性に対する思い込みをことごとく覆すヒロイン。それにショックを受けるヒーローがその度に傲慢さを剥いでいく感じが良かったです。地味な姿から華麗な変貌を遂げたのも素敵でした。

  This review contains spoilers. A heroine who completely overturns the hero's assumptions about women. It was nice to feel that the hero, who was shocked by that, showed off his arrogance every time. It was also wonderful that she went through a splendid transformation from her plain appearance.

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• 

  Posted by Readers in Japan

  Feb 10, 2019 (PST) | Translate to English
  君の言う「過ち」は、生きることそのものだ
  The “mistake” you are referring to is living itself
  立場などどこかに置いて二人は本当の意味で裸になって過ごした(始めからではない)。タイトルは壁を築き上げているままの時の彼の言葉だが、このストーリーの核心は早くも一旦そこで突けている。大人の男女だが、本当に人を愛するということがやっとわかるというストーリー。岸本先生も女性のドレスアップがサマになる、子どもっぽくない絵柄が、読んでいてHQ気分に浸らせてくれる、腕利きの漫画家。男性はマッチョではなく、逆にどこか線病質な位なのに、そこに隠されたナイーブな心が隠され、日々何かを闘って精一杯虚勢を張る姿に、痛々しくも男性の雄々しさを感じさせる絵が、見ていて、はまるキャラにはドはまりしていて良い。口の達者な二人が相手に負けずやり返し合うやり取りに、互いの魅力が引き寄せ合ってしまう。駆け引きをしようとして、相手の深いところに入り込んでしまうほど親しくなってしまう。理屈ではない、理性ではない、感情は肉体の別システムであって、相性というものは生きている以上、生身の存在にあると。二人は目の前の相手の魅力によって、日頃の信条を言葉でなく接触の深まりで体得した。二人で過ごした後、両極に立っていた二人が、反対の視点を無意識に我が物として取り込んでそれを受け入れている。ただ、このヒロインとその姉妹、その親を、それも愛と、受け入れていいものか？夫婦愛と、子どもへの愛情や責任は全く別種。夫婦がうまく行っても、ヒロインはそれはそれとして、親としてどうか、というところは許さないでいい、と私は思ったが？親を許す流れは何の弁護でもない、と感じた。考えようによってはエピキュリアン賛歌、罪悪視しても幸せには結び付かないこともあると、そこに身を投じることが果たして悪いことなのだろうか、という、「過ち」観に対する反語的解釈も出来るし、ロマンス王道のプレイボーイ陥落ストーリーでもある。手玉に取ろうとして踏み入れてしまった、冒頭ヒロインの、「世の女性達が我こそは彼を改心させるとの幻想を抱いて」あえなく失敗しているのだとの台詞、ヒロインは成功者という訳だ。二人のボンボン交わす勢いのある台詞が小気味いい。特に、互いに譲らない主張を繰り広げる14-15頁が好きだ。

  Placed somewhere in a position, etc., the two spent their time naked in the true sense of the word (not from the beginning). The title is his words when the wall is still being built, but the core of this story already penetrates there once and for all. The story is about adult men and women, but they finally understand that they really love people. Kishimoto-sensei is also a skilled manga artist who makes it easy for women to dress up, and has designs that aren't childish and make me feel like I'm reading them. Men are not macho, and on the contrary, they are somewhat blatant, yet the naive heart hidden there is hidden there, and it's nice to look at the picture that painfully makes you feel the majesty of men by fighting something every day and doing their best. Their appeal to each other is drawn to the exchange where two people who are good talkers don't lose to their opponents and go back and forth. When they try to bargain, they become so close that they get into the other person's depths. It's not logic, it's not rational, emotion is a separate system of the body, and compatibility is a living being as long as we are alive. Due to the appeal of the partner in front of them, the two learned their daily beliefs through deepening contact rather than words. After spending time together, the two people, who were standing at both ends, unwittingly took the opposite point of view as their own and accepted it. However, is it okay to accept this heroine, her sisters, and her parents with love? Marital love and love and responsibility for children are completely different types. I thought that even if the couple went well, the heroine shouldn't allow that to be the case and how they are as parents? I felt that the flow of forgiving parents was no defense. Depending on how you think about it, it's an epicurean anthem, and if you think it's sinful, it's also possible to make an antonym interpretation of the “mistake” view that throwing oneself into it is actually a bad thing, and it's also a story about the fall of a playboy of romance royalty. The opening heroine's line “the women of the world harbor the illusion that I am the only one to convert him,” which she has unexpectedly failed, which means that the heroine is a successful person. The strong line where the two exchange bonbon momentum is creepy. I particularly like pages 14-15, which make uncompromising arguments against each other.

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