Reviews for THE BIG BAD BOSS Manga

It was slightly different from traditional Harlequins. Misunderstandings are not mutual feelings from peace or misunderstandings, and they are reunited again after 15 years. The psychological depiction and background of the two were carefully drawn, and it was worth reading. Happien like this is wonderful too.

It was very carefully drawn, and it's a story like Harlequin's royal road, but it was interesting. It's a pity that this has become the writer's posthumous work.

Other people have written it, but anyway, the story is wonderful. In particular, the heroine's unwavering wishes appeared in her eyes, and I supported her hard work until the end. The rich expressions of the characters make it easy to understand the feelings of each character, so I was convinced by the usual happy ending of Harley Queen. I didn't know Kazumi sensei's posthumous work until I read the afterword, but it's a work that gives me a new sense of emotion when I read it again with that in mind. I definitely want you to read it.

This work, which the author created to the limit of his life, depicts the joy of living and the mental process to become an adult who has firmly stepped on the future along with folklore, and it makes me think how rich it is. The quiet and rich rural landscape of England seems to come to mind. I wish you peace of mind. thank you.

I generally follow the process of reading quite a few reviews, then doing trial readings and looking forward to the main story, and even though I knew this work was Kazumi sensei's posthumous work this time, I intended to objectively evaluate it when I wrote the review myself. Adhering to that attitude, I think this work is worthy of 5 stars (or more). I was amazed to learn that such a thing was specially explained in the afterword, that they really held the pen even when they were sick. It was something I wouldn't understand without an afterword. They were probably devoting all their energy to production. The storyline is natural, and there's no sense of cutting corners in the pictures. There is no sense of incongruity between the two, and I only like the heroine's hard work. He lived a childhood where he was not blessed with an environment for many years and was unable to obtain regular schooling. backlash and pride. The part where I had no choice but to be perverse, and soft memories of a short period of time simply knowing the heroine, the children around the mansion, and the warmth of the heroine's mother's home-cooked meals. Having succeeded, he visited the mansion where he spent a moment, and it changed when he ended up getting involved in regeneration because he had suddenly stayed away from it until now. The heroine, who had her back on her back, also changes her consciousness along with the changes in the scenery in front of him due to the strong heroine's ability to act, who is aggressive rather than aggressive and can do whatever she can. The heroine, who has different ideas about the mansion and the countryside if one step is wrong, is nothing but a troublesome presence from his point of view, but the heroine skillfully fits into the pockets of people involved in construction, farmland, etc., and contributes brilliantly to regeneration. It depicts beautiful procedures without disgust. However, I have a feeling that I wanted something ancillary to the misunderstanding surrounding accommodation arrangements, the sudden turn around the real estate and its management in the morning, the rapid advance of the two, and changes in a short time period. However, even so, the scene where the heroine's actions have the power to move him was persuasive, and it felt dramatic that they avalanche into the scene where the two express their love to each other. And, above all, my love pattern of being with someone I've always liked came to fruition brilliantly. When it comes to Kazumi-sensei's paintings, I didn't feel the most addictive of the HQ comics I've read, and I had a gentle feeling. The Japanese title isn't good. I'm a person who doesn't read the original story in principle, but I think the original story also drew a bold human drama. I'm not saying it's a common HQ original with only sex.

I felt that it was so different even with the same number of pages. Unfortunately, there are many works in Harlequin that have squishy content, but this work is tightly packed, and the heroine's positive attitude is very wonderful. I also liked the design, so I wanted to read more of the teacher's work, so I read the afterword, which was very disappointing. Thank you very much for leaving such a wonderful work.

I love Kazumi-sensei's works because of the power in the heroine's eyes. Bronte, the heroine in this film, also has a strong will and I like it. <わりない仲>Like HQ, it's hero Heath, but it's nice to keep a proper distance from there without continuing a laid-back relationship. It's a good piece? At the end of this work, I first learned that Professor Wazumi Fusako died of cancer on Tanabata in 2015. I burst into tears when I thought that Professor Kazumi's works would increase. Too bad.