Reviews for THE SCOT 1 Manga

What a lively heroine. Rather than being reckless, reckless, I still don't have enough experience points. The witch who seems to be the source of disaster comes out and continues, ah, I have to read it soon

I feel like volume 1 is still in its infancy. Anyway, I think they'll be excited from volume 2 with the appearance of the witch. Expectations.

Tonton and the story have moved forward, and the relationship between the two is yet to come. As for (1), which consists of two parts (1) and (2), the development is easy to understand, with yet another turbulent event while the culprit is unknown. It's a story that makes me think it was great because I was able to meet a wonderful person even though I hadn't gone to get married forever. The father also has an eye to see through his good points right away, and it's a pleasant story where he takes good care of his daughter and acts like a father. While being in danger and almost killed, the main characters were relieved that they didn't die, I finished reading the first volume and moved on to the second volume. The sculpture episode also leaves expectations that it is likely to be HQ-like material. I haven't read the original story, but I feel that it probably brings out the effects of making comics that appeal to visuals well. There is no sense of cutting corners, although the subtlety is reduced when the large screen is used a lot, and I'm worried that the story is easy to fall into a weak development. The “eye” scene, which made the heroine's father intuit, looked like that too. Harlequin often incorporates feuds with England, such as Scotland or Ireland, into the subject due to the personalities of the authors of the original story. Japanese readers don't get along well, so as Japanese readers, there are places where they are careless about the author's intentions, or rather expectations, but there are times when it has expanded as a historical object and can detect the emotional background. This factor cannot be ignored. What's more, in modern times, if you're that Scottish person, it's even more so. (However, in dealing with foreigners, there is also an original title called ××person.) I can also faintly understand the mood of the Scottish independence movement. Harlequin Aru Aru has a trite title attached to it.

Even though I thought that if women said things so clearly in that era, it would certainly be a major incident, I thought the heroine's dignified appearance was wonderful. Also, both the hero who accepted it and the villagers were wonderful people. The bad guys are clearly depicted as bad people, and I thought that kind of technique that made right and wrong clear was easy to read, and I thought it would be nice.