Reviews for IN HER BOSS'S ARMS Manga

The strong, warm and intelligent heroine is frightened by something, and what exactly happened to her in the past? I turned the pages more and more. It's nice not only to have a love story, but also to have a sense of mystery. The way the child opens his heart and how he becomes attracted to the heroine is also carefully written, and of course the end is a happy ending. As for the title, this “Door to the Future” fits better than the original title “In His Arms.” The structure is firmly tied to the title. great.

The path the heroine has lived through is so tough that the thread that was entangled when she met the hero unraveled. The encounter between the two was a wonderful story where they unraveled the spells from the past they had carried on each other's shoulders.

Laurel is heartbroken because she was the one who created the cause, which became ridiculous. The heavy background depicts the days she endures by swallowing everything she cannot compete with on her own without regret. The threat of ●S is raging even in this time of year, so I think everyone knows about it. Under such circumstances, Laurel acted to dispel her trauma, but she got carried away, and things happened. It can be said that being positive about situations where people have to be replaced by others, even though it is unavoidable, is a result of experience, even though it was an idle circumstance. What's interesting is Laurel's nightmares and the ambiguity of not knowing either her dreams or reality. In particular, the appearance of an old woman who is a fortune teller is the most prominent of them all. It seemed that the relationship with Charles would be fulfilled based on that ambiguity, but the truth (reality) came to light. There is also an HQ-like plot twist at the end, but it's just that it's not a happy ending, but the origin and the revelation of nightmares are surprising again, dispelling the seriousness.

After a long time, I came across a book I wanted to read over and over again. Pessimism is at its peak, but there is salvation at the end. This is a story where the protagonist, who has his own suffering but works hard for someone else, is finally saved like a fairy tale. To be honest, the final plot twist isn't real, but it's refreshing, and I think it's fine to be very fantasy (laughs) There are also things that only people with the same wounds can be saved. No matter how good you are, you can't beat experience. And if you meet someone like that at least once in a lifetime, you're very lucky. And very few people notice it, though.

This is the first work I came across in a Harlequin magazine that I used to sell on a monthly basis! Even though it has mystery elements, it's a Harlequin-like love story, and I was surprised at the final development, but were you entertained?

The design is perfect and beautiful, but I was concerned that the heroine's eyes were touched by Kazuo Umezu. It's more of a mystery and suspense than a romance thing.

I was planning to read another HQ, but after stopping by for a bit and trying it out a little bit, I couldn't get out of it. It was only a few pages I had grasped, and I already felt like reading them all. Skillful way to draw into the conversation. I don't read the original story, so I wonder if this is Nagasaki-sensei's good portrayal of comicalization, or is it the result of respecting the original taste. The suspenseful, uncalm atmosphere and the softness of the heroine, which can be said to be the exact opposite, are both shown in fragmentary depictions during the story, and the creation connects interest until the end about what kind of person the heroine is. That sense of tension reduced the romance component, but it was shown that the heroine's life changed exactly as the first step in getting a job as a nanny. The impact of the design has lost a bit. I wanted the fortune telling scene to be a little more awesomeness, confusion, etc. Maybe the one who made the fantasy scene more artsy would have been better off. I wanted to see his psychological depictions and visuals that were exciting. It feels like an ambitious film, so is it necessary to digest elements directed by Terry Gilliam? There is a feeling that Myra's appearance was biased towards the first half, but even though it was a change of old and new on the heroine's side, I feel like I somehow misplaced it. I'm glad they made it clear in the midstage that both of the main characters have personalities that really make Penny happy. Once upon a time, a friend of mine I became close to when I was young had a best friend who chose to die before that. That best friend is her real mother, who is a famous “teacher” in a society like the heroine's mother (although she's a foster mother in the story. (However, my friend who spoke to me also said that she must not have been her real mom.) punish? ruthless treatment? I was tormented by I remember hearing about such a shocking event. In Harlequin, there are many cases where love is poured out on children and not enough, and caregivers who abandon childcare appear, but I am dissatisfied with the fact that parents often do not receive proper rewards. (There is an unavoidable aspect of this since there is an incident with my best friend without losing to the proportion of parent-child issues. (There are many scenes where windows are opened, and it seems that certain breaks and connections with the past are depicted in a dark way.) Since the real world is unscathed or done with light judgment, I'd like to at least expect that punishment in HQ of Dreams and Hopes, but since the paper is limited, I feel complicated after reading it. Well, I think this Japanese title is good too. (YY is right!)